Tag Archives: #sketchbook

SRapallo, Mercado da Ribeira, watercolor, Lisbon, 2018

Lisbon: Mercado da Ribeira – Time Out

Last week we went to Lisbon to celebrate my B-day and even though we didn´t have dinner at the Ribeira Market, we had to check out this new place, at least for us, because last time we went to Lisbon was 2016, for the Adele Concert.

The Ribeira Market immediately reminded us of Mercado de San Miguel, in Madrid, but bigger, much bigger and more sophisticated, with chefs signing some of their creations specially for the Ribeira Market. I also checked out the store A Vida Portuguesa, and a Time Out super bar with a DJ that started playing music after 10:30pm… and some dancers exhibited their talent in front of the DJs. We tried some dancing too because it was a Brazilian song… We have to honor the mother country, right?

The magazine Time Out ventured out and won the concession of the Ribeira Market which became, as the magazine often refers to other cool places, an in-spot.

The space’s concept is simple: become the first magazine in the world that you can read, eat and drink. How do you make this possible? By inviting the spots that were highly recommended by its editorial staff to become a part of its physical space. This means you’ll find about 34 spaces in the Ribeira Market, each with a different concept but most of them with an identical principle – to promote Portuguese products and to work with the spaces within the market itself.

The market has a very special offer: top chef stands at low-cost prices (not really), where you can indulge in dishes signed by: Alexandre Silva (Bica do Sapato), Miguel Castro e Silva (Largo, DeCastro e DeCastro Elias), Henrique Sá Pessoa (Alma), Marlene Vieira (Avenue), Vítor Claro (Claro), Susana Felicidade (Restaurante Pharmácia, Taberna Ideal and Petiscaria Ideal) and Dieter Koschina (Vila Joya). Right alongside great names from Portuguese cuisine, you’ll also find the recent project Croqueteria, with its traditional croquette which includes, among other bold versions, a cuttlefish ink croquette.

The place that was crowded was serving a plate with asparagus, truffled mashed potatoes, jamon serrano and 64-degree egg… We couldn´t try the dish, but next time… for sure. But here is the recipe if you wanna try. We have this Sous-vide water bath equipament to control the temperature, but you can monitor the temperature yourself with a little bit of patience.

Good luck!!!

The 64-Degree Egg Recipe

  1. Place an egg in a 64 degree C water bath for 45 minutes.
  2. Monitor the temperature constantly – and adjust the water bath by adding hot water if the temperature drops, or scooping out water if it rises. Keeping the lid on helps conserve heat.
  3. Once the eggs are ready, crack the shell and remove it under a water bath to prevent stress to the delicate egg.
  4. Use a spoon to remove the egg
  5. Enjoy atop a sandwich, break it into a salad or pasta!

Back to the Ribeira Market. In the middle you’ll find beverage suggestions, namely Compal, which presents itself in a more handmade format with natural juices only; and Super Bock, that will teach you, with the aid of an interactive device, how to serve your own draft beer.

Besides those already mentioned, there are many other great concepts here, such as: Delta, Vista Alegre, Renova, Sea Me, Café de São Bento, Monte Mar, João Portugal Ramos, Cinco e Meio, Bar da Odete, Esporão, Casa da Ginja, O Prego da Peixaria, Asian Lab, Pizza a Pezzi, Confraria, Honorato, Manteigaria Silva, Arcádia, Conserveira de Lisboa, O Meu Amor é Verde, Folha do Cais, Santini, Nós é Mais Bolos, Garrafeira Nacional. And the terraces: Trincas (The Decadente), Aloma and Azul.

BTW. We went to As Salgadeiras for my birthday dinner…. Bacalhau ao Morro Alto!!!!!!!!!! Super duper delicious!!!!!!!

For more information:
Time Out Mercado da Ribeira
Avenida 24 de Julho
1200 – 481
Lisbon+351 213 460 333

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Srapallo, watercolor, Casa de las Torrijas, Madrid, 2018.

Easter Celebration in Spain : Torrija

Locally known as Semana Santa (Holy Week), Easter is the most important celebration in Spain, and stands out for its epic brotherhoods’ processions and unique, age-old traditions specific to each region.

Srapallo, watercolor, Casa de las Torrijas, Madrid, 2018.

Srapallo, watercolor, Casa de las Torrijas, Madrid, 2018.

The atmosphere that characterizes the festivities is usually solemn, the picture spectacular, and everything seems fully immersed in emotion. Don’t let yourself be fooled, though – this is still Spain, which means neither the strong religious beliefs nor the somberness of the moment can hide the nation’s fervor for pomp and lively fiestas.

These being said, let’s take a closer look at the distinctive customs and traditions that accompany Semana Santa in various Spanish provinces.

Here, the most important Catholic holiday is commemorated with a week full of color, art, religious fervor, and extravagant processions. The most spectacular events take place in Malaga and Seville, where the streets are taken over by flamboyant parades and intricate religious displays depicting biblical scenes.

Like everywhere in Spain, the festivities begin on Palm Sunday (Domingo de Ramos) and last until Easter Monday (Lunes de Pascua), with the most dramatic and passionate parades held on Maundy Thursday and Good Friday.

While the Semana Santa festivities in Andalusia are the most spectacular, the ones in Castile and León are often regarded as some of the most authentic, solemn, and austere in the entire country. Among the cities that hold remarkable processions are León, Zamora, Salamanca, Toledo, Avila, Segovia, and Valladolid.

This scrumptious calorific treat is traditionally eaten in Spain over Easter.

Madrid-based food blogger Anneke Kooijmans shares a recipe for the classic Spanish Easter dish Torrijas with The Local which she describes as “like French toast, but different…”

Srapallo, watercolor, Torrijas, Madrid, 2018.

Srapallo, watercolor, Torrijas, Madrid, 2018.

TORRIJAS
(Serves two)

Torrijas are a Spanish Easter dessert, they are like French Toast, but different.

Ingredients:

250 milliliters milk
Zest of one lemon
¼ bar of French bread, in thick slices
1 egg, lightly beaten, in a shallow bowl
Good quality olive oil
¼ cup sugar
¼ teaspoon cinnamon
½ cup water
1 tablespoon honey
Kitchen towels

I hope you enjoy and Happy Easter!!!!!

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SRapallo, watercolor, Madrid, 2018

Eremita de San Frutos (Saint Fructus) – Sepúlveda/Segovia

There are only reminiscing of the church itself. Saint Fructus (Spanish: San Fruitos, Frutos, Fructos) was a Castilian hermit of the eighth century venerated as a saint. Christian tradition states that he had two siblings, named Valentine (Valentín) and Engratia (Engracia). They all lived as hermits on a mountain in the region of Sepúlveda. Engratia should not be confused with the 4th-century Portuguese martyr of the same name.

Born in the 7th century to a noble family of Segovia, Fructus and his two siblings sold their family possessions after their parents’ death and gave the earnings to poor. Wishing to escape from the city and the turbulent times, they established themselves on the rocky terrain near the village of Sepulveda now known as the Hoces del Duratón, where they lived apart from one another in caves that ensured them complete solitude.

Tradition holds that Valentine and Engratia were later martyred around 715 by advancing Moorish forces, and that Fructus died of natural causes in the same year at the age of 73.

Legends

A legend states that some locals, wishing to join Fructus in his retreat to his death, traveled there, only to be pursued by Moorish forces to the very door of Fructus’ hermitage. Fructus attempted to convert the Muslim soldiers, but without success. The legend goes on to state that Fructus drew a line across the earth, asking that the Moorish forces not cross it. When they ignored him and attempted to cross, the earth miraculously opened up to swallow them up, at a crack in the rock now called La Cuchillada. From that point on, the Moors did not bother Fructus.[2]

Veneration

They are venerated as the patron saints of Segovia, where their relics are enshrined and are recognized as saints of the Orthodox Patriarchate of Rome.

Fructus, Valentine and Engratia are commemorated on 25 October by Western Rite Orthodox communities, and in the Roman Catholic Church.

Their relics were conserved in the hermitage of San Frutos from the 8th century to the 11th, when they were translated to Segovia Cathedral. The area of Fructus’ hermitage suffered various political and military vicissitudes; this area was conquered by Fernán González before being annexed by Al-Mansur Ibn Abi Aamir in 984. It fell to Christian control once again in 1011 through the efforts of Sancho García of Castile, and in 1076 was repopulated by Alfonso VI of Castile. By the 1070s, the Benedictines had established a church in honor of Saint Fructus in the area, as well as an adjoining monastery.

On the night of October 24 is celebrated the procession in honor of Fructus known as the Paso de la Hoja (“Turn of the Page”). A sculpture of Fructus rests in a niche in this cathedral. This sculpture has Fructus holding a book; according to local legend, it is the “Book of Life”: when Fructus turns to the last page, the world will end.

Fructus’ feast day is celebrated with music and contests, and devotees also celebrate his feast day at the park of Hoces del Río Duratón, where they accompany a statue of Fructus.

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SRapallo, watercolor, Madrid, 2018

Sorolla, el pintor de la luz

One of my favorite´s  place to sketch  in Madrid. The Spanish painter, Joaquín Sorolla was born on February 27, 1863 in Valencia, Spain. The artist’s house and was converted into a museum after the death of his widow. It is situated at Paseo del General Martínez Campos, 37 -Chamberí – Madrid.

Sorolla’s work is represented in museums throughout Spain, Europe, America, and in many private collections in Europe and America. In 1909 he made a successful debut in the United States in a solo exhibition at the Hispanic Society in New York City. The resulting critical acclaim won him a commission to paint President William Howard Taft in 1909. In 1933, J. Paul Getty purchased ten Impressionist beach scenes made by Sorolla, several of which are now housed in the J. Paul Getty Museum.

In 1960, Sorolla, el pintor de la luz, the master of depicting sun and water, a short documentary written and directed by Manuel Domínguez was presented at the Cannes Film Festival.

In 2007 many of his works were exhibited at the Petit Palais in Paris. In 2009, there was a special exhibition of his works at the Prado in Madrid, and in 2010, the exhibition visited the Oscar Niemeyer Museum in Curitiba, Brazil.

From 5 December 2011 to 10 March 2012, several of Sorolla’s works were exhibited in Queen Sofía Spanish Institute, in New York. This exhibition included pieces used during Sorolla’s eight-year research for The Vision of Spain. His style was a variant of Impressionism and whose best works, painted in the open air, vividly portray the sunny seacoast of Valencia. Sorolla was from a poor family and was orphaned at age two. He displayed an early talent and was admitted to the Academy of San Carlos in Valencia at age 15. After further studies in Rome and Paris, he returned to Valencia.

Upon his return to Spain, he purchased a beach house in Valencia, on the Mediterranean shore. For the rest of his career, he drew his inspiration from the dazzling light on the waters by his home, and his beach scenes are marked by sharp contrasts of light and shade, brilliant colours, and vigorous brushstrokes. That´s why he is called the ¨painter of the light¨ (el pintor de la luz).

The Museo Sorolla – The building was originally the artist’s house and was converted into a museum after the death of his widow. Designed by Enrique María Repullés. The principal rooms continue to be furnished as they were during the artist’s life, including Sorolla’s large, well-lit studio, where the walls are filled with his canvasses. Other rooms are used as galleries to display Sorolla’s paintings, while the upstairs rooms are a gallery for special exhibitions. In 2014, these rooms held an exhibition of David Palacin photographs of the ballet Sorolla produced by the Spanish National Dance Company.

It´s nice to see the actual place where he lived and produced so many of his artworks. There is also a nice entrance garden with a fountain where you can just seat there and make some sketches while admire the flowers and statues.

Don´t forget to visit this small museum if you have a chance on your next trip to Madrid. You won´t regret it!!

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Srapallo, Calle Hortaleza, watercolor, Madrid, 2018

St Valentine’s Day in Spain

It’s not a traditional holiday in Spain, but most of the places in the world celebrate it with the traditional bouquet of flowers and romantic diners. the closest concept about it is from people of Valencia and their most romantic day of the year is, in fact, October 9th, when they celebrate both; the Day of the Valencian Community (Sant Valentin) as well as the Day of Saint Dionysius (Sant Dionís), locally known as the patron saint of lovers. This is a public holiday marked by many festivities and colorful costume parades held in the main plaza of every town and village.

A distinctive tradition on the Day of Saint Dionysius is the custom of offering ladies a Mocadora (Mocaorà) as a sign of love and appreciation. This traditional gift consists of a nice package of marzipan figurines handcrafted by local confectioners and then wrapped up in an elegant piece of silk.

In the Land of Cervantes, you don’t need a reason to get caught up in the fire and romance of Spain. The whole country is teeming with spectacular parks and gardens that inspire love.

Here is the recipe.

INGREDIENTS
150 grams of ground almonds
135 grams of sugar glass
1 egg white
30 grams of mashed potato
Pastry dyes and flavor extract of each fruit. Cocoa powder
If you have too much thickened water
Some pine nuts to decorate

Start boling a potato and make a very fine mashed potato. Set it apart to use later. Beat the egg white to the point of very compact snow. Until the container is turned over, it stays well attached and does not fall. Add the icing sugar and mix well taking into account that the point does not get off. Add the mashed potato and almond flour and knead well. Distribute the dough in as many portions as we want to make different figurines and add to each portion the fruit dye, the flavor extract and let it rest for a while before making them. Take the dough and mold with the fingers the desired figures. Place in a tray and let dry a few hours and if you want to follow the tradition, wrap them in a neck scarf and give them away. If you have more dyes and flavor extracts, you can make pears, lemons, oranges, strawberries … Go on, you are totally allowed to just play with them and make fruits for the ones you love!

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SRapallo, Anjas, 2017

Goya – Royal Chapel of St. Anthony of La Florida – Ermita de San Antonio de la Florida

A must see chapel to visit in Madrid. What I love the most is all the angels depicted on the ceiling are women.

After his death aged 82 on April 16th 1828 (having failed to recover from falling down the stairs at his Cours de l’Intendance residence), Goya was buried in a tomb in the Chartreuse cemetery in central Bordeaux alongside his compatriot Martin Goicocchea, a former mayor of Madrid and father-in-law to Goya’s son Javier. In 1899, both bodies were exhumed to be transferred back to Spain. Neither body could be formally identified. For a start, Goya’s head had disappeared! It is believed that it was stolen by one of Goya’s former models, the Marques de San Adrian, who may have sought to understand the workings of Goya’s brain by doing some “hands-on” research. Goya’s head was never to be found. The two bodies were transported in a single coffin and buried with others first in Saragosse then transferred to a joint mausoleum at the Royal Chapel of Saint Anthony of La Florida in Madrid.

The Royal Chapel of St. Anthony of La Florida (Spanish: Real Ermita de San Antonio de la Florida) is a Neoclassical chapel in central Madrid. The chapel is best known for its ceiling and dome frescoes by Goya. It is also his burial place. After his death aged 82 on April 16th 1828 (having failed to recover from falling down the stairs at his Cours de l’Intendance residence), Goya was buried in a tomb in the Chartreuse cemetery in central Bordeaux alongside his compatriot Martin Goicocchea, a former mayor of Madrid and father-in-law to Goya’s son Javier. In 1899, both bodies were exhumed to be transferred back to Spain. Neither body could be formally identified. For a start, Goya’s head had disappeared! It is believed that it was stolen by one of Goya’s former models, the Marques de San Adrian, who may have sought to understand the workings of Goya’s brain by doing some “hands-on” research. Goya’s head was never to be found. The two bodies were transported in a single coffin and buried with others first in Saragoza then transferred to a joint mausoleum at the Royal Chapel of Saint Anthony of La Florida in Madrid

Goya’s fresco depicting the legend of Saint Anthony reviving a dead man

The chapel was built in the general location of two prior chapels built in the 1730s, which were on the land of a farm called La Florida. The present structure was built by Felipe Fontana from 1792 to 1798 on the orders of King Carlos IV, who also commissioned the frescoes by Goya and his assistant Asensio Juliá.The structure was declared a national monument in 1905. In 1919 Goya’s remains were transferred here from Bordeaux, where he had died in 1828. In 1928 an identical chapel was built alongside the original, in order to allow the original to be converted into a museum.On every June 13, the chapel becomes the site of a lively pilgrimage in which young unwed women come to pray to Saint Anthony and to ask for a partner. The frescoes by Goya were completed over a six-month period in 1798. The frescoes portray miracles by Saint Anthony of Padua. On the main cupola of the chapel Goya depicted Saint Anthony raising a dead man; instead of portraying the scene as occurring in thirteenth-century Lisbon, Goya relocated the miracle to contemporary Madrid.

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