Monthly Archives: March 2018

SRapallo, watercolor, Madrid, 2017

Sala de Despiece – A laboratory gastronomique

Again a must in my neighbourhood ….I’m never tired to mention that, how much I love Chamberi….

SRapallo, watercolor, Madrid, 2018

SRapallo, watercolor, Madrid, 2018

First you don’t understand what’s going on. This tapas bar has a unique concept, I never saw anything like this elsewhere. What the heck is this place?. Looks like you are in a butchery, in a meal treatment place… looks like industrial, like you are eating in a cutting room.

The other thing the caught your attention is… you need to help to finish the preparation of you own meal… they show you how to do it and you have to do it yourself if you wanna eat. …. So, you need to help finalize your own food…. and that experience is very enjoyable, and the server helps your with the torch… everything looks like you are eating in a gastronomique laboratory. Like they said It’s a white spotless space, inspired by the cutting areas from butcher´s shops or fish markets. Such spotless spirit is maintained by the team’s white aprons, and a space barely touched by decorative details paying tribute to the butcher’s profession.

Sala de Despiece
Calle de Ponzano, 11, Chamberi

SRapallo, watercolor, Madrid, 2017

SRapallo, watercolor, Madrid, 2017

+34.917.52.61.06

Website: http://www.saladedespiece.com/en/sala-de-despiece/

They don’t accept reservations. At Sala de Despiece counter seating is assigned on a first-come, first-serve basis.

Go there and enjoy the lab experience, I guarantee you won’t regret.

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SRapallo, watercolor, Madrid, 2018

Eremita de San Frutos (Saint Fructus) – Sepúlveda/Segovia

There are only reminiscing of the church itself. Saint Fructus (Spanish: San Fruitos, Frutos, Fructos) was a Castilian hermit of the eighth century venerated as a saint. Christian tradition states that he had two siblings, named Valentine (Valentín) and Engratia (Engracia). They all lived as hermits on a mountain in the region of Sepúlveda. Engratia should not be confused with the 4th-century Portuguese martyr of the same name.

Born in the 7th century to a noble family of Segovia, Fructus and his two siblings sold their family possessions after their parents’ death and gave the earnings to poor. Wishing to escape from the city and the turbulent times, they established themselves on the rocky terrain near the village of Sepulveda now known as the Hoces del Duratón, where they lived apart from one another in caves that ensured them complete solitude.

Tradition holds that Valentine and Engratia were later martyred around 715 by advancing Moorish forces, and that Fructus died of natural causes in the same year at the age of 73.

Legends

A legend states that some locals, wishing to join Fructus in his retreat to his death, traveled there, only to be pursued by Moorish forces to the very door of Fructus’ hermitage. Fructus attempted to convert the Muslim soldiers, but without success. The legend goes on to state that Fructus drew a line across the earth, asking that the Moorish forces not cross it. When they ignored him and attempted to cross, the earth miraculously opened up to swallow them up, at a crack in the rock now called La Cuchillada. From that point on, the Moors did not bother Fructus.[2]

Veneration

They are venerated as the patron saints of Segovia, where their relics are enshrined and are recognized as saints of the Orthodox Patriarchate of Rome.

Fructus, Valentine and Engratia are commemorated on 25 October by Western Rite Orthodox communities, and in the Roman Catholic Church.

Their relics were conserved in the hermitage of San Frutos from the 8th century to the 11th, when they were translated to Segovia Cathedral. The area of Fructus’ hermitage suffered various political and military vicissitudes; this area was conquered by Fernán González before being annexed by Al-Mansur Ibn Abi Aamir in 984. It fell to Christian control once again in 1011 through the efforts of Sancho García of Castile, and in 1076 was repopulated by Alfonso VI of Castile. By the 1070s, the Benedictines had established a church in honor of Saint Fructus in the area, as well as an adjoining monastery.

On the night of October 24 is celebrated the procession in honor of Fructus known as the Paso de la Hoja (“Turn of the Page”). A sculpture of Fructus rests in a niche in this cathedral. This sculpture has Fructus holding a book; according to local legend, it is the “Book of Life”: when Fructus turns to the last page, the world will end.

Fructus’ feast day is celebrated with music and contests, and devotees also celebrate his feast day at the park of Hoces del Río Duratón, where they accompany a statue of Fructus.

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SRapallo, watercolor, Madrid, 2018

Sorolla, el pintor de la luz

One of my favorite´s  place to sketch  in Madrid. The Spanish painter, Joaquín Sorolla was born on February 27, 1863 in Valencia, Spain. The artist’s house and was converted into a museum after the death of his widow. It is situated at Paseo del General Martínez Campos, 37 -Chamberí – Madrid.

Sorolla’s work is represented in museums throughout Spain, Europe, America, and in many private collections in Europe and America. In 1909 he made a successful debut in the United States in a solo exhibition at the Hispanic Society in New York City. The resulting critical acclaim won him a commission to paint President William Howard Taft in 1909. In 1933, J. Paul Getty purchased ten Impressionist beach scenes made by Sorolla, several of which are now housed in the J. Paul Getty Museum.

In 1960, Sorolla, el pintor de la luz, the master of depicting sun and water, a short documentary written and directed by Manuel Domínguez was presented at the Cannes Film Festival.

In 2007 many of his works were exhibited at the Petit Palais in Paris. In 2009, there was a special exhibition of his works at the Prado in Madrid, and in 2010, the exhibition visited the Oscar Niemeyer Museum in Curitiba, Brazil.

From 5 December 2011 to 10 March 2012, several of Sorolla’s works were exhibited in Queen Sofía Spanish Institute, in New York. This exhibition included pieces used during Sorolla’s eight-year research for The Vision of Spain. His style was a variant of Impressionism and whose best works, painted in the open air, vividly portray the sunny seacoast of Valencia. Sorolla was from a poor family and was orphaned at age two. He displayed an early talent and was admitted to the Academy of San Carlos in Valencia at age 15. After further studies in Rome and Paris, he returned to Valencia.

Upon his return to Spain, he purchased a beach house in Valencia, on the Mediterranean shore. For the rest of his career, he drew his inspiration from the dazzling light on the waters by his home, and his beach scenes are marked by sharp contrasts of light and shade, brilliant colours, and vigorous brushstrokes. That´s why he is called the ¨painter of the light¨ (el pintor de la luz).

The Museo Sorolla – The building was originally the artist’s house and was converted into a museum after the death of his widow. Designed by Enrique María Repullés. The principal rooms continue to be furnished as they were during the artist’s life, including Sorolla’s large, well-lit studio, where the walls are filled with his canvasses. Other rooms are used as galleries to display Sorolla’s paintings, while the upstairs rooms are a gallery for special exhibitions. In 2014, these rooms held an exhibition of David Palacin photographs of the ballet Sorolla produced by the Spanish National Dance Company.

It´s nice to see the actual place where he lived and produced so many of his artworks. There is also a nice entrance garden with a fountain where you can just seat there and make some sketches while admire the flowers and statues.

Don´t forget to visit this small museum if you have a chance on your next trip to Madrid. You won´t regret it!!

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